Sample of the Odia alphabet from a Buddhist text from around 1060 AD, written by SarahapadaTemple inscription showing 13th century Siddhaṃ script variant ancestor of modern Odia script at Ananta Vasudeva Temple15th century copper plate grant of Gajapati emperor Purushottama Deva, showing the distinct formation of the shape of the modern Odia scriptDevelopment of Odia scripts
Overwhelmingly, the Odia script was used to write the Odia language. However, it has been used as a regional writing-system for Sanskrit. Furthermore, Grierson[9] in his famed Linguistic Survey of India mentioned that the Odia script is sometimes used for Chhattisgarhi, an Eastern Hindi language, in the eastern border regions of Chhattisgarh. However it appears to have been replaced with the Devanagari script.
Alphabet
Consonants
Two categories of consonant letters are defined in Odia: the structured consonants (Odia: ବର୍ଗ୍ୟ ବ୍ୟଞ୍ଜନ, romanized:bargya byan̄jana) and the unstructured consonants (ଅବର୍ଗ୍ୟ ବ୍ୟଞ୍ଜନ, abargya byan̄jana).
The structured consonants are classified according to their place of articulation, that is, where the tongue touches the palate.
In the first standardised Odia alphabet book, Barnabodha was compiled by Madhusudan Rao in 1895, the phonemes ba, va and wa were represented by the same letter ବ, with the sounds va and wa. This was because the phonemes ba and va had merged in the Eastern Indo-Aryan languages. The phoneme wa could be written through the consonant ligature symbol ୍ୱ, which it shared with ba. Gopala Chandra Praharaj, who compiled and published the first comprehensive Odia dictionary, Purnachandra Odia Bhashakosha (1931–40), introduced a new letter ୱ to the script to represent the sound wa.[10][11][12] An alternate letter was created for wa, ଵ, but it has not gained wide acceptance.
Clusters of two or more consonants form a ligature. Odia has two types of consonant ligatures, the "northern" and "southern" types. The "northern" type is formed by fusion of two or more consonants as in northern scripts like Devanāgarī; in some instances, the components of a northern-type ligature be easily identified, but sometimes completely new glyphs are formed. With the "southern" type, the second component is reduced in size and put under the first as in the southern scripts used for Kannaḍa and Telugu.
There are some ambiguities. The subjoined form of ଛ cha is also used for subjoined ଥ tha:
for ଛ cha: ଚ୍ଛ ccha, ଞ୍ଛ ñcha, ଶ୍ଛ ścha
for ଥ tha: ନ୍ଥ ntha, ସ୍ଥ stha
The sign for the nasal ଂ ṃ looks similar to the right side of the glyph used for ଫ pha and ଙ ṅa:
There is no significant difference in the pronunciation of long and short vowels.
A different form of ଇ is used with the consonants ଖ (kha), ଥ (tha), ଧ (dha). This diacritic is a remnant from the Odia cursive style variant Karani script.
Vowels with their diacritics and in syllables with କ୍[3][13]
↑This letter is used sporadically for va or wa, as an alternative to the conventional ୱ, but has not gained widespread acceptance.
↑This diacritic, the halanta, is a "killer stroke" that suppresses a letter's inherent a vowel, making it an isolated consonant.
Additional vowel diacritics
ଖ + ି
ଖି
khi
ଥ + ି
ଥି
thi
ଧ + ି
ଧି
dhi
All consonant and vowel combinations
ଅ
a
ଆ
ā
ଇ
i
ଈ
ī
ଉ
u
ଊ
ū
ଋ
r̥
ୠ
r̥̄
ଌ
l̥
ୡ
l̥̄
ଏ
e
ଐ
ai
ଓ
o
ଔ
au
କ୍
k
କ
କା
କି
କୀ
କୁ
କୂ
କୃ
କୄ
କୢ
କୣ
କେ
କୈ
କୋ
କୌ
ଖ୍
kh
ଖ
ଖା
ଖି
ଖୀ
ଖୁ
ଖୂ
ଖୃ
ଖୄ
ଖୢ
ଖୣ
ଖେ
ଖୈ
ଖୋ
ଖୌ
ଗ୍
g
ଗ
ଗା
ଗି
ଗୀ
ଗୁ
ଗୂ
ଗୃ
ଗୄ
ଗୢ
ଗୣ
ଗେ
ଗୈ
ଗୋ
ଗୌ
ଘ୍
gh
ଘ
ଘା
ଘି
ଘୀ
ଘୁ
ଘୂ
ଘୃ
ଘୄ
ଘୢ
ଘୣ
ଘେ
ଘୈ
ଘୋ
ଘୌ
ଙ୍
ṅ
ଙ
ଙା
ଙି
ଙୀ
ଙୁ
ଙୂ
ଙୃ
ଙୄ
ଙୢ
ଙୣ
ଙେ
ଙୈ
ଙୋ
ଙୌ
ଚ୍
c
ଚ
ଚା
ଚି
ଚୀ
ଚୁ
ଚୂ
ଚୃ
ଚୄ
ଚୢ
ଚୣ
ଚେ
ଚୈ
ଚୋ
ଚୌ
ଛ୍
ch
ଛ
ଛା
ଛି
ଛୀ
ଛୁ
ଛୂ
ଛୃ
ଛୄ
ଛୢ
ଛୣ
ଛେ
ଛୈ
ଛୋ
ଛୌ
ଜ୍
j
ଜ
ଜା
ଜି
ଜୀ
ଜୁ
ଜୂ
ଜୃ
ଜୄ
ଜୢ
ଜୣ
ଜେ
ଜୈ
ଜୋ
ଜୌ
ଝ୍
jh
ଝ
ଝା
ଝି
ଝୀ
ଝୁ
ଝୂ
ଝୃ
ଝୄ
ଝୢ
ଝୣ
ଝେ
ଝୈ
ଝୋ
ଝୌ
ଞ୍
ñ
ଞ
ଞା
ଞି
ଞୀ
ଞୁ
ଞୂ
ଞୃ
ଞୄ
ଞୢ
ଞୣ
ଞେ
ଞୈ
ଞୋ
ଞୌ
ଟ୍
ṭ
ଟ
ଟା
ଟି
ଟୀ
ଟୁ
ଟୂ
ଟୃ
ଟୄ
ଟୢ
ଟୣ
ଟେ
ଟୈ
ଟୋ
ଟୌ
ଠ୍
ṭh
ଠ
ଠା
ଠି
ଠୀ
ଠୁ
ଠୂ
ଠୃ
ଠୄ
ଠୢ
ଠୣ
ଠେ
ଠୈ
ଠୋ
ଠୌ
ଡ୍
ḍ
ଡ
ଡା
ଡି
ଡୀ
ଡୁ
ଡୂ
ଡୃ
ଡୄ
ଡୢ
ଡୣ
ଡେ
ଡୈ
ଡୋ
ଡୌ
ଢ୍
ḍh
ଢ
ଢା
ଢି
ଢୀ
ଢୁ
ଢୂ
ଢୃ
ଢୄ
ଢୢ
ଢୣ
ଢେ
ଢୈ
ଢୋ
ଢୌ
ଣ୍
ṇ
ଣ
ଣା
ଣି
ଣୀ
ଣୁ
ଣୂ
ଣୃ
ଣୄ
ଣୢ
ଣୣ
ଣେ
ଣୈ
ଣୋ
ଣୌ
ତ୍
t
ତ
ତା
ତି
ତୀ
ତୁ
ତୂ
ତୃ
ତୄ
ତୢ
ତୣ
ତେ
ତୈ
ତୋ
ତୌ
ଥ୍
th
ଥ
ଥା
ଥି
ଥୀ
ଥୁ
ଥୂ
ଥୃ
ଥୄ
ଥୢ
ଥୣ
ଥେ
ଥୈ
ଥୋ
ଥୌ
ଦ୍
d
ଦ
ଦା
ଦି
ଦୀ
ଦୁ
ଦୂ
ଦୃ
ଦୄ
ଦୢ
ଦୣ
ଦେ
ଦୈ
ଦୋ
ଦୌ
ଧ୍
dh
ଧ
ଧା
ଧି
ଧୀ
ଧୁ
ଧୂ
ଧୃ
ଧୄ
ଧୢ
ଧୣ
ଧେ
ଧୈ
ଧୋ
ଧୌ
ନ୍
n
ନ
ନା
ନି
ନୀ
ନୁ
ନୂ
ନୃ
ନୄ
ନୢ
ନୣ
ନେ
ନୈ
ନୋ
ନୌ
ପ୍
p
ପ
ପା
ପି
ପୀ
ପୁ
ପୂ
ପୃ
ପୄ
ପୢ
ପୣ
ପେ
ପୈ
ପୋ
ପୌ
ଫ୍
ph
ଫ
ଫା
ଫି
ଫୀ
ଫୁ
ଫୂ
ଫୃ
ଫୄ
ଫୢ
ଫୣ
ଫେ
ଫୈ
ଫୋ
ଫୌ
ବ୍
b
ବ
ବା
ବି
ବୀ
ବୁ
ବୂ
ବୃ
ବୄ
ବୢ
ବୣ
ବେ
ବୈ
ବୋ
ବୌ
ଭ୍
bh
ଭ
ଭା
ଭି
ଭୀ
ଭୁ
ଭୂ
ଭୃ
ଭୄ
ଭୢ
ଭୣ
ଭେ
ଭୈ
ଭୋ
ଭୌ
ମ୍
m
ମ
ମା
ମି
ମୀ
ମୁ
ମୂ
ମୃ
ମୄ
ମୢ
ମୣ
ମେ
ମୈ
ମୋ
ମୌ
ଯ୍
ẏ
ଯ
ଯା
ଯି
ଯୀ
ଯୁ
ଯୂ
ଯୃ
ଯୄ
ଯୢ
ଯୣ
ଯେ
ଯୈ
ଯୋ
ଯୌ
ୟ୍
y
ୟ
ୟା
ୟି
ୟୀ
ୟୁ
ୟୂ
ୟୃ
ୟୄ
ୟୢ
ୟୣ
ୟେ
ୟୈ
ୟୋ
ୟୌ
ର୍
r
ର
ରା
ରି
ରୀ
ରୁ
ରୂ
ରୃ
ରୄ
ରୢ
ରୣ
ରେ
ରୈ
ରୋ
ରୌ
ଳ୍
ḷ
ଳ
ଳା
ଳି
ଳୀ
ଳୁ
ଳୂ
ଳୃ
ଳୄ
ଳୢ
ଳୣ
ଳେ
ଳୈ
ଳୋ
ଳୌ
ଲ୍
l
ଲ
ଲା
ଲି
ଲୀ
ଲୁ
ଲୂ
ଲୃ
ଲୄ
ଲୢ
ଲୣ
ଲେ
ଲୈ
ଲୋ
ଲୌ
ୱ୍
w
ୱ
ୱା
ୱି
ୱୀ
ୱୁ
ୱୂ
ୱୃ
ୱୄ
ୱୢ
ୱୣ
ୱେ
ୱୈ
ୱୋ
ୱୌ
ଶ୍
ś
ଶ
ଶା
ଶି
ଶୀ
ଶୁ
ଶୂ
ଶୃ
ଶୄ
ଶୢ
ଶୣ
ଶେ
ଶୈ
ଶୋ
ଶୌ
ଷ୍
ṣ
ଷ
ଷା
ଷି
ଷୀ
ଷୁ
ଷୂ
ଷୃ
ଷୄ
ଷୢ
ଷୣ
ଷେ
ଷୈ
ଷୋ
ଷୌ
ସ୍
s
ସ
ସା
ସି
ସୀ
ସୁ
ସୂ
ସୃ
ସୄ
ସୢ
ସୣ
ସେ
ସୈ
ସୋ
ସୌ
ହ୍
h
ହ
ହା
ହି
ହୀ
ହୁ
ହୂ
ହୃ
ହୄ
ହୢ
ହୣ
ହେ
ହୈ
ହୋ
ହୌ
There is a set of four vocalics, each with an independent form and vowel diacritic, but only one, ଋ is used in modern Odia. ୠ, ଌ, ୡ and their diacritics are only used for Sanskrit transcription, so they are not always included in the Odia alphabet.
Vocalics and examples with କ
ଋ
r̥
ୠ
r̥̄
ଌ
l̥
ୡ
l̥̄
କ + ୃ
କୃ
IPA: kr̥
କ + ୄ
କୄ
IPA: kr̥̄
କ + ୢ
କୢ
IPA: kl̥
କ + ୣ
କୣ
IPA: kl̥̄
Additional letters and diacritics
The anusvara and candrabindu diacritics are used to indicate nasalisation. A visarga adds a post-vocalic voiceless glottal fricative ḥ to the end of a syllable.
Additional letters and diacritics and examples with କ
All human beings from birth are free and dignity and rights are equal. Their reason and intelligence endowed with and they towards one another in a brotherhood spirit behaviour to do should.
Translation
All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.
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