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GeezerVison is showing observer.com — New York

News About New York

Installation view of Arthur Jafa’s I Am Tony at the New Museum. A large-scale collage of overlapping photographic images fills the gallery, combining archival portraits, film stills, and scenes from popular culture. The layered composition includes black-and-white and colour photographs of figures in different settings, with circular cutouts interrupting several images. The fragmented montage unfolds against a dark background, creating a dense visual landscape of cultural references and collective imagery.

The New York Exhibitions Worth Seeing During Art Week NYC

Major surveys of Roy Lichtenstein and Arthur Jafa share the season with a Krasner-Pollock reassessment and Yoshitomo Nara’s largest New York show in years. Ambitious gallery presentations by Doris Salcedo, James Turrell and Tuan Andrew Nguyen round out the list.
By Elisa Carollo
A woman in a dark top and shiny skirt stands with her hand on her hip

Kinsey Robb Explains the Thinking Behind the ADAA Fair’s Year Off and Its Return

The Art Dealers Association of America's executive director says rising costs, an overcrowded calendar and shifting collector behavior made it necessary to rethink the longest-running art fair in the U.S. It returns in 2026 with a rebranded identity, the Whitney as its beneficiary and a slot in one of New York’s busiest art weeks.
By Dan Duray

Chopard’s Most Glamorous Era Gets a Brilliant Revival

Alongside Cartier, Piaget and Bulgari, the maison has spent decades blurring the line between timepiece and jewelry. Its modern L’Heure du Diamant collection shows why its reputation endures.
By Caleb Anderson

At Core Club, Chopard’s “L’Heure du Diamant” Celebrated Six Decades of Glamour

By Jasmine Lobe

CEO Albert Yang On Taking Din Tai Fung’s Precision Coast to Coast

By The Editors

Single-Owner Sales Dominate a High-Stakes Auction Season in New York

By Elisa Carollo

At American Ballet Theatre’s Fall Gala, Cynthia Erivo Argued for the Arts

By Jasmine Lobe

Pauline Karpidas’s Surrealist Sensibility Returns to Sotheby’s in a Dedicated Jewelry Sale

By Elisa Carollo

Luxury Asset Capital Fine Art Lead Chloe Kilburn on Borrowing against Collections

By Jason Collins

Inside the Making of Rockefeller Center’s First Hotel

By Paul Jebara

How Masa Takayama Created a Culinary Empire on His Own Terms

By Emily Zemler

Carnegie Deli’s Sarri Harper Isn’t Shrinking the Sandwich

By The Editors

The Enduring Allure of the Masquerade Ball

By Allie Lebos

Sotheby’s Sells “Jodi” the Nanotyrannus for $47.3 Million, Reigniting the Fossil Ownership Debate

By Elisa Carollo

Jihan Lee and Takahiro Sakaeda Are Taking TBD Gimbap Permanent

By The Editors

Fidel Caballero and Sofia Ostos Want You to Respect the Tortilla Like You Respect the Baguette

By The Editors

Chintan Pandya, Roni Mazumdar and Vijay Kumar Aren’t Apologizing for Indian Food

By The Editors

John Terzian and Brian Toll Built Delilah for Their Friends. 10 Years Later, They’re Bringing It to New York.

By The Editors

Andrew Carmellini, Luke Ostrom and Josh Pickard Run NoHo’s 23 Venues

By The Editors

Larry McGuire on Why Breaking Into Dallas Is Harder Than Buying a Hotel in New York

By The Editors

Simon Kim Is Bringing a Three-Michelin-Star Tokyo Sushi Chef to Midtown

By The Editors

A Roman Imperial Torso Set a New Antiquities Record at Sotheby’s as the Art World Looked Elsewhere

By Elisa Carollo

Shaggy, Taylor Dayne and Deborah Cox Lit Up the 28th Angel Ball for Cancer Research

By Jasmine Lobe

Emily Mae Smith Paints Worlds on the Edge of Transformation

By Elisa Carollo
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